 |
| NOMINATIONS
FOR THE 2004 LAURENCE OLIVIER AWARDS |
|
MEJOR
PRODUCCIÓN NUEVA
|
| English
National Opera’s COSÌ FAN TUTTE at the Barbican |
| The
Royal Opera’s MADAMA BUTTERFLY at the Royal Opera House |
| The
Royal Opera’s ORLANDO at the Royal Opera House |
| English
National Opera’s THE TROJANS (Part I and II) at the London
Coliseum |
| |
|
|
LOGRO
EXCEPCIONAL EN ÓPERA
|
| Cristina
Gallardo-Domas for The Royal Opera’s MADAMA BUTTERFLY
at the Royal Opera House |
| Simon
Keenlyside for The Royal Opera’s HAMLET and DIE ZAUBERFLOTE
at the Royal Opera House |
| Bejun
Mehta for The Royal Opera’s ORLANDO at the Royal Opera
House |
| Felicity
Palmer for The Royal Opera’s ELEKTRA and SWEENEY TODD
at the Royal Opera House |
|
|
|
| Eileen
Atkins for HONOUR at the Cottesloe |
| Helen
Mirren for MOURNING BECOMES ELECTRA at the Lyttelton |
Ann
Mitchell for THROUGH THE LEAVES at the Duchess
|
| Kelly
Reilly for AFTER MISS JULIE at the Donmar Warehouse |
 Kristin
Scott Thomas for THREE SISTERS at the Playhouse |
|
| |
| Roger
Allam for DEMOCRACY at the Cottesloe |
 Kenneth
Branagh for EDMOND at the Olivier |
Greg
Hicks for CORIOLANUS at The Old Vic
|
| Matthew
Kelly for OF MICE AND MEN at the Savoy |
|
| |
| DEMOCRACY
by Michael Frayn at the Cottesloe |
| ELMINA’S
KITCHEN by Kwame Kwei-Armah at the Cottesloe |
HITCHCOCK
BLONDE by Terry Johnson at the Jerwood Theatre Downstairs at
the Royal Court and the Lyric
|
| THE
PILLOWMAN by Martin McDonagh at the Cottesloe |
|
| |
| ABSOLUTELY!
(PERHAPS) by Luigi Pirandello in a new version by Martin Sherman
at Wyndham’s |
| RAGTIME
book by Terrence McNally, music by Stephen Flaherty, lyrics
by Lynn Ahrens, based on the novel by E L Doctorow at the Piccadilly |
THOROUGHLY
MODERN MILLIE book by Richard Morris and Dick Scanlan, new music
by Jeanine Tesori, new lyrics by Dick Scanlan, at the Shaftesbury
|
|
| |
| JERRY
SPRINGER – THE OPERA music by Richard Thomas, book and
lyrics by Stewart Lee & Richard Thomas at the Lyttelton
and Cambridge |
| RAGTIME
book by Terrence McNally, music by Stephen Flaherty, lyrics
by Lynn Ahrens, based on the novel by E L Doctorow at the Piccadilly |
THOROUGHLY
MODERN MILLIE book by Richard Morris and Dick Scanlan, new music
by Jeanine Tesori, new lyrics by Dick Scanlan, at the Shaftesbury |
|
PRODUCCIÓN
MUSICAL EXCEPCIONAL
|
| HIGH
SOCIETY music and lyrics by Cole Porter, book by Arthur Kopit
at the Open Air |
| Tim
Rice and Andrew Lloyd Webber’s JOSEPH AND THE AMAZING
TECHNICOLOR DREAMCOAT at the New London |
PACIFIC
OVERTURES music and lyrics by Stephen Sondheim, book by John
Weidman, additional material by Hugh Wheeler at the Donmar Warehouse
mATTHEW wHITE FOR ragtime At the Piccadilly |
|
| |
| Stafford
Arima for RAGTIME at the Piccadilly |
| Michael
Grandage for CALIGULA at the Donmar Warehouse |
Gary
Griffin for PACIFIC OVERTURES at the Donmar Warehouse |
Stewart
Lee for JERRY SPRINGER – THE OPERA at the Lyttelton and
Cambridge |
|
| |
| Jenny
Arnold for JERRY SPRINGER – THE OPERA at the Lyttelton
and Cambridge |
| Rob
Ashford for THOROUGHLY MODERN MILLIE at the Shaftesbury |
Karen
Bruce for PACIFIC OVERTURES at the Donmar Warehouse |
|
| |
| ABSOLUTELY!
(PERHAPS) designed by Franco Zeffirelli at Wyndham’s |
| HITCHCOCK
BLONDE designed by William Dudley at the Jerwood Theatre Downstairs
at the Royal Court and the Lyric |
MOURNING
BECOMES ELECTRA designed by Bob Crowley at the Lyttelton |
|
|
|
| ABSOLUTELY!
(PERHAPS) designed by Raimonda Gaetani at Wyndham’s |
| PACIFIC
OVERTURES designed by Mara Blumenfeld at the Donmar Warehouse |
POWER
designed by Christopher Oram at the Cottesloe |
| THOROUGHLY
MODERN MILLIE designed by Martin Pakledinaz at the Shaftesbury |
|
MEJOR
NUEVA PRODUCCIÓN DE DANZA
|
| Nederlands
Dans Theater 2’s DREAM PLAY at Sadler’s Wells |
| George
Piper Dances’ MESMERICS at Sadler’s Wells |
Paul
Taylor Dance Company’s PROMETHEAN FIRE at Sadler’s
Wells |
| BROKEN
FALL, a George Piper Dances commission in association with The
Royal Ballet at the Royal Opera House |
|
LOGRO
EXCEPCIONAL EN DANZA
|
| Carlos
Acosta for his TOCORORO – A CUBAN TALE at Sadler’s
Wells |
| Thomas
Edur and Agnes Oaks their performances in English National Ballet’s
2 HUMAN at Sadler’s Wells |
Javier
De Frutos for his choreography of Rambert Dance Company’s
ELSA CANASTA at Sadler’s Wells |
| The
dancers of Rambert Dance Company for their season at Sadler’s
Wells |
|
MEJOR
ACTUACIÓN EN ROL SECUNDARIO
|
| Joe
Dixon for THE ROMAN ACTOR at the Gielgud |
| Oliver
Ford Davies for ABSOLUTELY! (PERHAPS) at Wyndham’s |
Paul
Hilton for MOURNING BECOMES ELECTRA at the Lyttelton |
| Warren
Mitchell for THE PRICE at the Apollo |
| TELL
ME ON A SUNDAY music by Andrew Lloyd Webber, lyrics by Don Black
at the Gielgud |
|
| |
| Duckie’s
C’EST BARBICAN! devised and written by Mark Whitelaw,
Ursula Martinez, Christopher Green, Marisa Carnesky, Francesca
Baglione and Simon Vincenzi, scored by Ian Hill at The Pit |
| Fascinating
Aida’s ONE LAST FLUTTER at the Comedy |
JUS’
LIKE THAT written and created by John Fisher at the Garrick |
| MY
BRILLIANT DIVORCE by Geraldine Aron at the Apollo |
| THE
RAT PACK – LIVE FROM LAS VEGAS by Paul Walden, Mitch Sebastian
and Derek Nicol at the Strand |
|
MEJOR
ACTIRZ EN UN MUSICAL
|
| Maria
Friedman for RAGTIME at the Piccadilly |
| Amanda
Holden for THOROUGHLY MODERN MILLIE at the Shaftesbury |
Alison
Jiear for JERRY SPRINGER – THE OPERA at the Lyttelton
and Cambridge |
| Maureen
Lipman for THOROUGHLY MODERN MILLIE at the Shaftesbury |
|
MEJOR
ACTOR EN UN MUSICAL
|
| David
Bedella for JERRY SPRINGER – THE OPERA at the Lyttelton
and Cambridge |
| Graham
Bickley for RAGTIME at the Piccadilly |
Michael
Brandon for JERRY SPRINGER – THE OPERA at the Lyttelton
and Cambridge |
| Kevyn
Morrow for RAGTIME at the Piccadilly |
|
MEJOR
ACTUACIÓN EN UN ROL SECUNDARIO EN UN MUSICAL
|
| Tracie
Bennett for HIGH SOCIETY at the Open Air |
| The
Chorus of JERRY SPRINGER – THE OPERA at the Lyttelton
and Cambridge |
Richard
Henders for PACIFIC OVERTURES at the Donmar Warehouse |
| Jerome
Pradon for PACIFIC OVERTURES at the Donmar Warehouse |
|
MEJOR
DISEÑO EN ILUMINACIÓN
|
| HITCHCOCK
BLONDE designed by Simon Corder at the Jerwood Theatre Downstairs
at the Royal Court and the Lyric |
| PACIFIC
OVERTURES designed by Hugh Vanstone at the Donmar Warehouse |
RAGTIME
designed by Howard Harrison at the Piccadilly |
|
| |
| JERRY
SPRINGER – THE OPERA designed by Mike Walker at the Lyttelton
and Cambridge |
| PACIFIC
OVERTURES designed by Nick Lidster for Autograph at the Donmar
Warehouse |
RAGTIME
designed by Peter Hylenski for Autograph at the Piccadilly |
| THE
PILLOWMAN designed by Paul Arditti at the Cottesloe |
|
| |
| Debbie
Tucker Green for BORN BAD at Hampstead Theatre |
| Lucy
Prebble for THE SUGAR SYNDROME at the Jerwood Theatre Upstairs
at the Royal Court |
Tom
Hardy for his performance in IN ARABIA, WE’D ALL BE KINGS
at Hampstead Theatre |
| Ruth
Negga for her performance in DUCK at the Jerwood Theatre Upstairs
at the Royal Court |
|
LOGRO
EXCEPCIONAL EN UN TEATRO DEL AFILIADO
|
| The
Young Vic for an audacious season under the artistic direction
of David Lan |
| Tanika
Gupta for FRAGILE LAND at Hampstead Theatre and her adaptation
of HOBSON’S CHOICE at the Young Vic |
The
Almeida Theatre for its production of THE LADY FROM THE SEA |
| The
Lyric Hammersmith for its production of PERICLES |
|
